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The Fallen Hearts series — political intrigue, forbidden romance, and brutal survival as Princess Aria fights for her throne.
The Fractured Dynasty series — epic fantasy of power, betrayal, and royal intrigue spanning generations.
The Lethal Hearts series — dangerous romance and deadly consequences in a world where love is the most dangerous weapon.
The Unseen series — supernatural thriller exploring what lurks beyond the edge of perception.
The Wild Flowers series — underground fighting, trauma recovery, and finding strength through darkness.
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Stories, musings, and behind-the-scenes from my creative journey
I get more letters about Darius than any other character. Where does the mask come from. Did he and Aria really love each other. The dossier I keep at the back of my drafting folder — the one with his birth name, the West Wing, and the manuscript he wrote his children.
Every series I've published is now on Kindle Unlimited. Six series, no gaps. Here's why I made the call, and what it means for you.
Nightshade is live. Oleander drops May 20. The Wild Flowers series begins, and Fallen Hearts is the right place to wait between books.
Behind the seven-book Fallen Hearts saga sits a world I drew long before Aria walked into the Council Chamber. The Stormborn dynasty, the Korrathi war-mages, and the magic system I locked down before book one — opened up for paid readers.
Someone asked me at a book event how I write love scenes. My face went the color of a fire truck. The honest answer is: the same way I write fight scenes. With choreography, stakes, and sheer willpower.
I cried on an airplane. I got choked up at a coffee shop. My partner asked if I was okay and I said a fictional character just made a choice and I'm not handling it well.
A reader messaged me: I need them to kiss already. She was on chapter fourteen of twenty-eight. I framed that message. Here's why the slow burn is the most powerful tool in romance.
Writing romance gave me x-ray vision for movie dialogue and I can't turn it off. Here's what rom-coms get wrong, the rare ones that work, and why I've become insufferable on movie night.
A Fallen Hearts short story. Early in Queen Aria's reign, spymaster Lyra Ashwind rides north to collect a missing grain tithe and walks into a count's dinner where the poison is already in the wine—and the poisoner is nobody she expected.
A Wild Flowers short story. Between Hemlock and Foxglove, Maya Chen has one night off the board in a cottage on a bad road. Alexei Volkov is already there, with soup on the stove and a pistol on the table.
I was halfway through my latest climax scene when I realized the moment I was most excited about had nothing to do with the love interest. It was the found family scene. Again.
My beta reader couldn't remember my hero's name but drew hearts next to the villain. Here's what I've learned about writing love interests that actually stick.
