Writing
The Second Book Problem: Why Romance Series Are So Hard to Sustain
Book one ends well, and that is the problem. Why the second book in a romance series is the hardest to write, and the two honest ways out of the slump.
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Writing
Writing tips, craft discussions, and behind-the-scenes looks at the creative process.
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Writing
Dual POV Is Harder Than It Looks, and I Keep Doing It Anyway
Dual POV throws away your biggest source of tension and asks for two real voices instead of one. Why I keep writing it anyway, and how to do it right.
Writing
How to Write a First Kiss That Makes Readers Hold Their Breath
A great first kiss is not about word choice. It is the payoff of two hundred pages of wanting, and here is how I build one that makes readers stop breathing.
Writing
Why I Refuse to Pick Between Fantasy and Thrillers
Epic fantasy romance and contemporary thrillers — warrior queens and women who hunt monsters. Why I refuse to pick a lane, and what carries across both genres.
Writing
How I Outline a Romance Novel in One Afternoon (And Why It Never Survives First Contact)
I outline a whole romance novel in one afternoon, with a spreadsheet and a label maker. Then my characters spend four months gloriously ignoring the plan.
Writing
Writing Steamy Scenes Without Cringing at Your Own Words
Writing intimate scenes is the most exposed a romance author ever gets. The fear, the closed-door versus explicit debate, and why it was never about the bodies.
Writing
The One Bed Trope: Why It Works Every Single Time
The one bed. The snowed-in cabin. The only room left. Why forced proximity works every single time in romance, and the exact place authors fumble it.
Every book I've written is on Kindle Unlimited now. Here's the honest story.
Every series I've published is now on Kindle Unlimited. Six series, no gaps. Here's why I made the call, and what it means for you.
Behind the Scenes
How I Write Love Scenes Without Dying of Embarrassment
Someone asked me at a book event how I write love scenes. My face went the color of a fire truck. The honest answer is: the same way I write fight scenes. With choreography, stakes, and sheer willpower.
Romance
The Art of the Slow Burn: Why Making Readers Wait Works
A reader messaged me: I need them to kiss already. She was on chapter fourteen of twenty-eight. I framed that message. Here's why the slow burn is the most powerful tool in romance.
Romance
Why I Keep Writing Found Family Into Everything
I was halfway through my latest climax scene when I realized the moment I was most excited about had nothing to do with the love interest. It was the found family scene. Again.
Writing
The Love Interest Problem: Why Readers Fall for the Wrong Characters
My beta reader couldn't remember my hero's name but drew hearts next to the villain. Here's what I've learned about writing love interests that actually stick.