Where to Start with Elara Kincaid: A Reading Guide
Six series and a gothic seventh on the way. Where to start reading Elara Kincaid, whether you came for romantasy, dark suspense, crime or something stranger.
Contemporary and romantic-suspense romance from Elara Kincaid — slow burn, high stakes, and heroines who refuse to fold.
Six series and a gothic seventh on the way. Where to start reading Elara Kincaid, whether you came for romantasy, dark suspense, crime or something stranger.
Book one ends well, and that is the problem. Why the second book in a romance series is the hardest to write, and the two honest ways out of the slump.
Dual POV throws away your biggest source of tension and asks for two real voices instead of one. Why I keep writing it anyway, and how to do it right.
A great first kiss is not about word choice. It is the payoff of two hundred pages of wanting, and here is how I build one that makes readers stop breathing.
Epic fantasy romance and contemporary thrillers — warrior queens and women who hunt monsters. Why I refuse to pick a lane, and what carries across both genres.
Writing intimate scenes is the most exposed a romance author ever gets. The fear, the closed-door versus explicit debate, and why it was never about the bodies.
For one week only, Iron and Flame, book three of the Fallen Hearts saga, is a Kindle Countdown Deal. Fifty thousand soldiers are marching on Aria's kingdom.
The one bed. The snowed-in cabin. The only room left. Why forced proximity works every single time in romance, and the exact place authors fumble it.
I cried on an airplane and got choked up at a coffee shop. My partner asked if I was okay — a fictional character just made a choice, and I'm not handling it.
A reader messaged me: I need them to kiss already. She was on chapter fourteen of twenty-eight. Here's why the slow burn is romance's most powerful tool.
Since I started writing romance for a living, I can't watch a rom-com without rewriting the dialogue in my head. My partner would like a word.
Halfway through my latest climax scene, I realized the moment I was most excited about had nothing to do with the love interest. It was found family. Again.